中北大学学报(社会科学版)

以《晋察冀画报》中的木刻画、漫画、布画等美术作品为研究对象，从表达形式、叙事构成、建构机制三个层面进行视觉叙事分析。画报中的美术作品利用视觉化的战争场景再现、政治形象形塑与边区样态描摹，在记忆符号中植入家国意蕴，唤起民众由表层认知到深度感知的情感共鸣，进而实现全民范围内的宣传引导。由此，抗战美术作品视觉叙事的核心不仅体现在其传播内容的形式上，更在于符号与情感的生产，这些符号与情感的有效嵌入在构建历史记忆与承担革命动员方面，具有重要的现实意义与实践价值。

Taking the woodcuts, cartoons, cloth painting and other art works in Jin-Cha-Ji Pictorial as the objects of study, this paper analyse the visual narratives from three levels : expression form, narrative composition and construction mechanism. The art works in the pictorial used visual reproduction of war scenes, political image shaping and description of the border areas to implant the meaning of family and country in the symbols of memory, arousing the public's emotional resonance from superficial cognition to indepth perception, and thus achieve publicity and guidance within the scope of the whole nation. Thus, the core of the visual narrative of anti-war art works is not only embodied in the form of its communication content, but also lies in the production of symbols and emotions, which are effectively embedded in the construction of historical memory and revolutionary mobilization, and have important practical significance and value.